Hello from us all at The Ritz. The summer season is upon us again. Lots of blockbusters on of course, but I thought I’d concentrate on some of the other films coming soon.
Firstly, ace director Kenneth Branagh, better known for his film version of Mary Shelley’s Frankenstein and Shakespearean interpretations, gives us his computer-assisted fantasy action movie Thor. It is based on an ancient Norse legend, the one-and-only Anthony Hopkins, Natalie Portman and newcomer Chris Hemsworth star.
Set in ancient Japan, 13 Assassins tells the story of a suicide mission to kill an evil lord. There is lots of spectacular Kung-Fu type action in this one.
Staying with assassins, we come to Hanna. A friend of mine saw this and she tells me it’s very good. Hanna is a 16-year-old girl trained by her father to be the perfect assassin. Set in Europe, it stars Saoirse Ronan, Eric Bana and Cate Blanchett.
In a lighter mood, remember The Hangover? Well, the boys are back with The Hangover Part II. The lads travel to Bangkok for Stu’s wedding… oh dear!! More post-blackout misadventures must follow.
A more serious film – The Way – follows an American father on a journey to recover the body of his son who died while on a pilgrimage to Santiago de Compostela in Spain. Father and son Emilio Estevez and Martin Sheen are director and star.
Win Win is an American indie which looks good fun.
All the summer “biggies” will be with us; Pirates of the Caribbean 4 and the final instalment in the Harry Potter series - Harry Potter and the Deathly Hallows Part 2.
That’s all for now folks! Say hello when you visit The Ritz.
*Taken from the June / July 2011 editions of All Things Local.
Monday, 23 May 2011
Sunday, 20 March 2011
The View from the Projection Box with Ritz Cinema projectionist Paul Winfield
Well here we are again, well into another year already and lots of films on their way to The Ritz. So without further ado, let’s go!
Now I’m sure, like me, many of you will remember a rather disturbing news story which hit the headlines in May 2003. Aron Ralston was trekking alone in the Utah Mountains when he fell into a crevice and became trapped by a boulder which landed on his arm. To save his own life he resorted to very extreme measures. Now Slumdog Millionaire director Danny Boyle has filmed Ralston’s remarkable story. I’ve seen a preview and let me tell you, this may not be for the squeamish but it is gripping cinema and not to be missed. Look out for 127 Hours.
Javier Bardem is a Ritz favourite and his new film Biutiful (no the spelling is not wrong) has him playing a man in free fall, on the road to redemption. Again, I’ve seen a preview and it’s a dark, gritty drama. Bardem has already been tipped for an Oscar for his role as a man searching to forgive, for love and forever.
I’ve seen a little bit of this one as well - Black Swan - it looks beautiful. While vying for the lead roles in a production of Swan Lake, a veteran ballerina enters into a twisted friendship with a new dancer. Natalie Portman, Winona Ryder and Mila Kunis star and of course, there is great music.
I mentioned these next three films last time and they are coming soon:-
Never Let Me Go. Carey Mulligan, Keira Knightley and Andrew Garfield play Ruth, Kathy and Tommy. After a seemingly idyllic childhood, as young adults they have to come to terms with the love they feel for each other and a haunting reality that awaits them.
The Coen Brothers’ True Grit is unmissable!
Gulliver’s Travels looks good fun. Also keep an eye open for these…
Of Gods and Men, Somewhere, and The Chronicles of Narnia: The Voyage of the Dawn Treader. All of these will be with us soon.
So, until next time, take care and say “hello” when you visit The Ritz.
Now I’m sure, like me, many of you will remember a rather disturbing news story which hit the headlines in May 2003. Aron Ralston was trekking alone in the Utah Mountains when he fell into a crevice and became trapped by a boulder which landed on his arm. To save his own life he resorted to very extreme measures. Now Slumdog Millionaire director Danny Boyle has filmed Ralston’s remarkable story. I’ve seen a preview and let me tell you, this may not be for the squeamish but it is gripping cinema and not to be missed. Look out for 127 Hours.
Javier Bardem is a Ritz favourite and his new film Biutiful (no the spelling is not wrong) has him playing a man in free fall, on the road to redemption. Again, I’ve seen a preview and it’s a dark, gritty drama. Bardem has already been tipped for an Oscar for his role as a man searching to forgive, for love and forever.
I’ve seen a little bit of this one as well - Black Swan - it looks beautiful. While vying for the lead roles in a production of Swan Lake, a veteran ballerina enters into a twisted friendship with a new dancer. Natalie Portman, Winona Ryder and Mila Kunis star and of course, there is great music.
I mentioned these next three films last time and they are coming soon:-
Never Let Me Go. Carey Mulligan, Keira Knightley and Andrew Garfield play Ruth, Kathy and Tommy. After a seemingly idyllic childhood, as young adults they have to come to terms with the love they feel for each other and a haunting reality that awaits them.
The Coen Brothers’ True Grit is unmissable!
Gulliver’s Travels looks good fun. Also keep an eye open for these…
Of Gods and Men, Somewhere, and The Chronicles of Narnia: The Voyage of the Dawn Treader. All of these will be with us soon.
So, until next time, take care and say “hello” when you visit The Ritz.
Music Scene by Rhia Calvert
Rhia Calvert (17) is a young lady from Holbrook with an extremely bright future ahead of her. She is in her second year at Derby College where she is studying Media. Rhia (pictured) has a huge passion for music and spends a lot of her spare time at gigs. She loves photography and writing and hopes to become a professional photographer.
Rhia is interviewing bands and reporting back in forthcoming issues of All Things Local. If you’re a local band and would welcome some exposure within this magazine then e-mail karyn@allthingslocal.co.uk
I've personally felt for a while now there are not enough good melodic rock bands around any more. With genres such as 'deathcore' and 'metalcore' dominating the music scene it seemed I was giving up hope on finding anything different and a little bit unique; but Blood Orange are exactly this. For any metal lover, the Nottingham four-piece are definitely something to look out for. Here's Blood Orange to tell us more...
Can you tell us how Blood Orange first got together and how long you've been a band?
Simon and Steve (drums, guitar) met while in previous bands and formed Blood Orange during the late 1990s. Neil joined in 1997 and Paul in 2006.
Can you tell us some interesting facts about each member?
Steve and Neil are scared of germs and carry alcoholic hand disinfectant everywhere they go! Neil was once an extra in an AC/DC video. On his left hand Steve has the top of his middle finger missing. Simon is an excellent surfer. Paul still gets really nervous before playing live.
How would you describe Blood Orange's sound?
We think we're doing something a little bit different to what else is around. I think Faye Coulman, from Sandman Magazine, said it best. She once reviewed one of our gigs and described us as "Goth-tinged melodic rock" with "intricate melodies both luxuriant and acidic-edged in character" and an "almost manic-depressive energy." I love that description. I don't know why, but bands often seem to find it hard to put their sound into words - ourselves included; but for me, Faye's totally nailed it. If we'd have said it ourselves it'd look like we're being pretentious, but coming from someone else - it's awesome.
What's currently happening with the band?
We're finishing off our album. It's taken quite a while to do, but we're doing it all ourselves so there's been a lot to learn about recording and stuff. Up until now, we've just recorded in studios as cheaply and quickly as possible, but the results have always been disappointing quality-wise. This time it's going to sound how it should.
Where is the band's favourite place to play a gig and why?
Anywhere playing outdoors is fantastic if you've got good weather. Rock City in Nottingham is cool to play just because of its reputation. We've had some great gigs at The Vic Inn in Derby, too. It's really small in there, but there's a good atmosphere.
What's planned for 2011?
Our album will be released early this year, then it's all about getting it heard in as many places as we can, so we'll be gigging a lot to promote it.
To find out more about Blood Orange and to listen to their music go to www.myspace.com/bloodorangeonline
Rhia
Rhia is interviewing bands and reporting back in forthcoming issues of All Things Local. If you’re a local band and would welcome some exposure within this magazine then e-mail karyn@allthingslocal.co.uk
I've personally felt for a while now there are not enough good melodic rock bands around any more. With genres such as 'deathcore' and 'metalcore' dominating the music scene it seemed I was giving up hope on finding anything different and a little bit unique; but Blood Orange are exactly this. For any metal lover, the Nottingham four-piece are definitely something to look out for. Here's Blood Orange to tell us more...
Can you tell us how Blood Orange first got together and how long you've been a band?
Simon and Steve (drums, guitar) met while in previous bands and formed Blood Orange during the late 1990s. Neil joined in 1997 and Paul in 2006.
Can you tell us some interesting facts about each member?
Steve and Neil are scared of germs and carry alcoholic hand disinfectant everywhere they go! Neil was once an extra in an AC/DC video. On his left hand Steve has the top of his middle finger missing. Simon is an excellent surfer. Paul still gets really nervous before playing live.
How would you describe Blood Orange's sound?
We think we're doing something a little bit different to what else is around. I think Faye Coulman, from Sandman Magazine, said it best. She once reviewed one of our gigs and described us as "Goth-tinged melodic rock" with "intricate melodies both luxuriant and acidic-edged in character" and an "almost manic-depressive energy." I love that description. I don't know why, but bands often seem to find it hard to put their sound into words - ourselves included; but for me, Faye's totally nailed it. If we'd have said it ourselves it'd look like we're being pretentious, but coming from someone else - it's awesome.
What's currently happening with the band?
We're finishing off our album. It's taken quite a while to do, but we're doing it all ourselves so there's been a lot to learn about recording and stuff. Up until now, we've just recorded in studios as cheaply and quickly as possible, but the results have always been disappointing quality-wise. This time it's going to sound how it should.
Where is the band's favourite place to play a gig and why?
Anywhere playing outdoors is fantastic if you've got good weather. Rock City in Nottingham is cool to play just because of its reputation. We've had some great gigs at The Vic Inn in Derby, too. It's really small in there, but there's a good atmosphere.
What's planned for 2011?
Our album will be released early this year, then it's all about getting it heard in as many places as we can, so we'll be gigging a lot to promote it.
To find out more about Blood Orange and to listen to their music go to www.myspace.com/bloodorangeonline
Rhia
Belper Heritage Matters By Adrian Farmer
For the first edition of a new year, I thought it would be interesting to reflect on events that happened in this area exactly a century ago. 1911 was the year work started on the building of Belper’s biggest building, the East Mill, but a look back to other events of that year shows how much life has changed – and how some things change very little.
January 1911 saw the release of figures showing 75 per cent of old people in the Belper Union Workhouse eligible for pensions had said they preferred to stay at the workhouse rather than take the pension and move out. At a meeting of the Belper Guardians, who officiated over the workhouse, this announcement was met by one member’s response: “I thought these old age pensions were going to see the workhouses abandoned!” which raised considerable laughter. Persistent badgering of the authorities by former police inspector John Clark (73) of Belper finally saw a change that month in the frequency pensions were paid, from quarterly to monthly.
Early in the year, the improved street lighting programme for the town took another step forward with better and brighter lamps on Nottingham Road, Bedlam Hill, Over Lane and Long Row. April saw the first appearance of electric lighting for private use in the town centre. Rushton’s cycle and motor works on Chapel Street had electric lights in the workshop and house. The only electric lighting previously seen in the town was at the fair and to light up the front of the Public Hall (now the Ritz Cinema) for an event in 1908.
Illness hit a Belper’s High Street School in the February, with outbreaks of whooping cough and Scarlet Fever closing the school for three weeks. It was Pottery Infant School’s turn in April, with a 14-day closure owing to outbreaks of mumps, chicken pox and measles. The building had to be fumigated and disinfected before it was cleared for opening by the council’s medical officer.
In May, there was a massive explosion at Kilburn brickworks. Mr Gale was breaking up old iron with dynamite and used too much. Iron fragments were thrown hundreds of feet into the air, and one piece fell on the leg of 18-year-old Tom Chamberlain, who had been lying down nearby, looking on. His leg was fractured, and he was taken to the Derbyshire Royal Infirmary. Several others were hit by fragments, one being knocked off their feet, but no-one else was hurt.
The 1911 census results were released in June, showing Belper's population had risen from 10,934 in 1901 to 11,643 – it has more than doubled since.
George V's 1911 coronation saw bonfires lit at Duffield and Alport, with activities in all the surrounding communities. Many of the elderly were invited to a dinner in Belper River Gardens but didn't attend because the organisers didn’t put on any transport.
September saw Belper's first ever bungalow being built by Fred Blount at the rear of his new hosiery factory on Spencer Road. That month, Milford people were asking for a station to be built for the village, but this failed to receive backing from Alderman Strutt at Makeney Hall, and came to nothing.
If you want to know more about the history of Belper and the surrounding villages, visit St John’s Chapel in the town on the last Saturday of the month, between 10am and 12 noon. Members of Belper Historical Society are available to answer questions and there is information to read and a database of old photographs to explore.
January 1911 saw the release of figures showing 75 per cent of old people in the Belper Union Workhouse eligible for pensions had said they preferred to stay at the workhouse rather than take the pension and move out. At a meeting of the Belper Guardians, who officiated over the workhouse, this announcement was met by one member’s response: “I thought these old age pensions were going to see the workhouses abandoned!” which raised considerable laughter. Persistent badgering of the authorities by former police inspector John Clark (73) of Belper finally saw a change that month in the frequency pensions were paid, from quarterly to monthly.
Early in the year, the improved street lighting programme for the town took another step forward with better and brighter lamps on Nottingham Road, Bedlam Hill, Over Lane and Long Row. April saw the first appearance of electric lighting for private use in the town centre. Rushton’s cycle and motor works on Chapel Street had electric lights in the workshop and house. The only electric lighting previously seen in the town was at the fair and to light up the front of the Public Hall (now the Ritz Cinema) for an event in 1908.
Illness hit a Belper’s High Street School in the February, with outbreaks of whooping cough and Scarlet Fever closing the school for three weeks. It was Pottery Infant School’s turn in April, with a 14-day closure owing to outbreaks of mumps, chicken pox and measles. The building had to be fumigated and disinfected before it was cleared for opening by the council’s medical officer.
In May, there was a massive explosion at Kilburn brickworks. Mr Gale was breaking up old iron with dynamite and used too much. Iron fragments were thrown hundreds of feet into the air, and one piece fell on the leg of 18-year-old Tom Chamberlain, who had been lying down nearby, looking on. His leg was fractured, and he was taken to the Derbyshire Royal Infirmary. Several others were hit by fragments, one being knocked off their feet, but no-one else was hurt.
The 1911 census results were released in June, showing Belper's population had risen from 10,934 in 1901 to 11,643 – it has more than doubled since.
George V's 1911 coronation saw bonfires lit at Duffield and Alport, with activities in all the surrounding communities. Many of the elderly were invited to a dinner in Belper River Gardens but didn't attend because the organisers didn’t put on any transport.
September saw Belper's first ever bungalow being built by Fred Blount at the rear of his new hosiery factory on Spencer Road. That month, Milford people were asking for a station to be built for the village, but this failed to receive backing from Alderman Strutt at Makeney Hall, and came to nothing.
If you want to know more about the history of Belper and the surrounding villages, visit St John’s Chapel in the town on the last Saturday of the month, between 10am and 12 noon. Members of Belper Historical Society are available to answer questions and there is information to read and a database of old photographs to explore.
Fashion by Shona Harding from Pearls & Scarlett
I hope you have all recovered from the excesses of Christmas and I am sure, like me, you are currently on one of numerous diets to get off the weight before spring. With diets and sale shopping I get very depressed in January and February.
Firstly I hate having to lose weight and secondly I loathe the hustle and bustle of sale shopping. So I always look forward to the optimism that spring brings; new fashion styles, funky prints and the promise of adding some bright colours to my winter palette of black, black and more black. What makes this spring especially promising is the influence designers have taken from oriental fashion. As well as this we have the trend of animal prints following through from winter to spring.
Firstly we will look at oriental fashions taken straight from the influence of the 70’s, Studio 54 and the style icon, Bianca Jagger. Here we have vibrant colours, floral or tropical flora and fauna teamed with sharp cuts and laser cut jackets. Large bracelet cuffs and tie oriental style belts make accessories a safe bet if you are not sure about going fully oriental all at once.
Autumn/Winter 2010 was filled with animal print and this trend will continue throughout spring. From leopard spots to tiger stripes whatever your taste, a touch of any print will make an outfit look current and on trend. If you feel uncomfortable wearing prints then why not try jewellery, shoes or a handbag?
It seems there is still a throw-back to the eighties this spring. Instead of power dressing jackets and big shoulders, the high street will feature more of a ‘glam disco’ feel. Neon colours and golds are all over the catwalk with Fendi, Dior and Versace all going for all out glamour. If you have an occasion to attend it might be worth ditching the staple black dress and experiment with bright bold colours. Statement belts will help to pinch in the waist and create the curves.
Colour seems to be the real theme running through all the catwalks for spring/summer 2011. Gone are the ditsy prints and pastels and in is a more acidic palette of colours. If the thought of neons in the daytime scares you then tone down the impact with a crisp white shirt. If you can’t bear the thought of all over neon why not just introduce a bright belt or bright patent shoe?
See you next edition, when we get a glimpse of spring/summer 2011.
Shona xx
Firstly I hate having to lose weight and secondly I loathe the hustle and bustle of sale shopping. So I always look forward to the optimism that spring brings; new fashion styles, funky prints and the promise of adding some bright colours to my winter palette of black, black and more black. What makes this spring especially promising is the influence designers have taken from oriental fashion. As well as this we have the trend of animal prints following through from winter to spring.
Firstly we will look at oriental fashions taken straight from the influence of the 70’s, Studio 54 and the style icon, Bianca Jagger. Here we have vibrant colours, floral or tropical flora and fauna teamed with sharp cuts and laser cut jackets. Large bracelet cuffs and tie oriental style belts make accessories a safe bet if you are not sure about going fully oriental all at once.
Autumn/Winter 2010 was filled with animal print and this trend will continue throughout spring. From leopard spots to tiger stripes whatever your taste, a touch of any print will make an outfit look current and on trend. If you feel uncomfortable wearing prints then why not try jewellery, shoes or a handbag?
It seems there is still a throw-back to the eighties this spring. Instead of power dressing jackets and big shoulders, the high street will feature more of a ‘glam disco’ feel. Neon colours and golds are all over the catwalk with Fendi, Dior and Versace all going for all out glamour. If you have an occasion to attend it might be worth ditching the staple black dress and experiment with bright bold colours. Statement belts will help to pinch in the waist and create the curves.
Colour seems to be the real theme running through all the catwalks for spring/summer 2011. Gone are the ditsy prints and pastels and in is a more acidic palette of colours. If the thought of neons in the daytime scares you then tone down the impact with a crisp white shirt. If you can’t bear the thought of all over neon why not just introduce a bright belt or bright patent shoe?
See you next edition, when we get a glimpse of spring/summer 2011.
Shona xx
Friday, 24 September 2010
Local Walk: Around Wingfield Manor
Walk supplied by Angela Clarke of Belper www.peakwalker.net
Start: Roadside parking in Pentrich opposite the church (SK 3900 5258)
Route: Pentrich - Wingfield Manor - Coalburn Hill - Wingfield Park - Pentrich
Map: Explorer OS 269: Chesterfield & Alfreton
Distance: 5 miles
Terrain: Good tracks, fields and quiet lanes.
Refreshments: Dog Inn, Pentrich.
Toilets: None
A local walk that offers extensive views and visits two areas that have a historical claim to fame.
Having parked opposite the church, with the church on your left, head uphill, in the opposite direction to the Dog Inn, towards Ripley.
Pentrich is where the last revolution in England began and the brown plaques on the walls in the village relate to this event.
Pass the village hall and Farm Close on the left. As the road bends round to the right cross it and take the signed footpath to the right of Farm Close.
Ignore the stile, on the right, at the back of the house on the right; instead continue straight ahead through the gate to follow a broad track along the ridge. In the distance the noise of the A38 can be heard but press on and it will soon be lost. Away to your left the view extends as far as Crich Stand.
After passing through a second gate the track swings round to the left, towards the farm. Before you reach the farm take the broad track on the left that is signed public footpath. Can you spot the ruins of Wingfield Manor across the valley to your right?
Wingfield Manor
Follow the track downhill until, as it swings left, you see a gate on the right, which you take. Continue straight ahead, downhill, to reach another gate onto the road. This road is quite busy so keep children close by.
Turn left to find a footpath sign on the right. The actual path down to the stile is just beyond the sign. If you have young children with you it is advisable to let an adult tackle the stile first as it is a long step down on the other side and they may need helping down.
Your route is straight ahead, downhill, with the hedge on your left. After crossing another stile continue straight ahead to find a third stile, on your left, onto the lane.
Turn right and follow the lane round to the left, under the railway bridge to the public bridleway sign on the right just after Bull Farm.
Go through the gate and follow the track towards Shrewsbury Cottage. Just before you reach a second gate take the track on the left.
Coalburn Hill
Follow this track passing through, or round, one gate to reach a second gate after which a signpost gives you multiple routes to follow. The path you eventually want is the one on the left, which is heading uphill and back on yourself.
Before you head along the track take the time to divert off the route to get the best view of Wingfield Manor, a temporary prison for Mary Queen of Scots before she was executed in Fotheringhay Castle. To do this ignore both paths and take the gap in the trees straight ahead of you. Then follow the vague path uphill and to the left to not only look at the manor, which isn’t normally open to the public1, but to also admire the view across the valley.
Having returned to the path follow it uphill, passing an entrance to Wingfield Manor, to a gate and a squeeze stile. Continue straight ahead to reach a second gate, which was missing at the time of writing. Continue straight ahead with the wall on your left to another gate (also missing), keep straight ahead, downhill with the wall now on your right.
At the bottom of the field take the gate on the right and continue straight ahead, downhill, to a further gate on the right by a building. The gate takes you onto a lane where you turn left and then, at the junction, right along Lynam Road.
Walk along Lynam Road, which is normally an extremely quiet lane, until, as the lane heads uphill, you see, on the left, a footpath sign for Buckland Hollow.
Take the footpath and follow it straight across the field to a gate and then veer left to find a stone stile onto a broad track. Turn right along the track and follow it uphill and through Lodge Hill Farm.
The track exits the farm via a gate and continues downhill to another gate to the left of a wooded area.
Having gone through this gate, leave the track as the footpath now veers off to the left heading towards the trees and the River Amber.
As the trees end bear left, with the river, to find, straight ahead of you, a bridge across the river onto the road, which can be busy. Turn right along the road and then take the footpath on the right, which is signed for Pentrich.
After going through the gate continue straight ahead, keeping the hedge on your right. When a large gap appears in the hedge veer left to a stile in the top right hand corner of the field.
Continue straight ahead, with the hedge on your right, across another stile, to eventually cross a third stile, in the right corner of the second field, into a third field on the right.
Continue straight ahead, with the hedge now on your left, to find a squeeze stile further along the hedge. Take the squeeze stile and now head diagonally left, towards the houses, following a vague path.
Take the stile into the next field, and then continue straight ahead, uphill, towards the church to a squeeze stile into the church grounds.
Bear left to a stone path, which you follow downhill to the road, where you can either turn right for a drink in the Dog Inn or left to return to your car.
1.Wingfield Manor is only open for pre-arranged visits on the 1st Saturday of the
month. To arrange a visit telephone English Heritage Customer Services on:
0870 333 1183.
We have taken reasonable steps to ensure that this walk is safe and achievable by walkers of a realistic level of fitness. The publisher accepts no responsibility for any injuries caused to readers whilst following the walk. Always wear appropriate clothing and footwear.
Start: Roadside parking in Pentrich opposite the church (SK 3900 5258)
Route: Pentrich - Wingfield Manor - Coalburn Hill - Wingfield Park - Pentrich
Map: Explorer OS 269: Chesterfield & Alfreton
Distance: 5 miles
Terrain: Good tracks, fields and quiet lanes.
Refreshments: Dog Inn, Pentrich.
Toilets: None
A local walk that offers extensive views and visits two areas that have a historical claim to fame.
Having parked opposite the church, with the church on your left, head uphill, in the opposite direction to the Dog Inn, towards Ripley.
Pentrich is where the last revolution in England began and the brown plaques on the walls in the village relate to this event.
Pass the village hall and Farm Close on the left. As the road bends round to the right cross it and take the signed footpath to the right of Farm Close.
Ignore the stile, on the right, at the back of the house on the right; instead continue straight ahead through the gate to follow a broad track along the ridge. In the distance the noise of the A38 can be heard but press on and it will soon be lost. Away to your left the view extends as far as Crich Stand.
After passing through a second gate the track swings round to the left, towards the farm. Before you reach the farm take the broad track on the left that is signed public footpath. Can you spot the ruins of Wingfield Manor across the valley to your right?
Wingfield Manor
Follow the track downhill until, as it swings left, you see a gate on the right, which you take. Continue straight ahead, downhill, to reach another gate onto the road. This road is quite busy so keep children close by.
Turn left to find a footpath sign on the right. The actual path down to the stile is just beyond the sign. If you have young children with you it is advisable to let an adult tackle the stile first as it is a long step down on the other side and they may need helping down.
Your route is straight ahead, downhill, with the hedge on your left. After crossing another stile continue straight ahead to find a third stile, on your left, onto the lane.
Turn right and follow the lane round to the left, under the railway bridge to the public bridleway sign on the right just after Bull Farm.
Go through the gate and follow the track towards Shrewsbury Cottage. Just before you reach a second gate take the track on the left.
Coalburn Hill
Follow this track passing through, or round, one gate to reach a second gate after which a signpost gives you multiple routes to follow. The path you eventually want is the one on the left, which is heading uphill and back on yourself.
Before you head along the track take the time to divert off the route to get the best view of Wingfield Manor, a temporary prison for Mary Queen of Scots before she was executed in Fotheringhay Castle. To do this ignore both paths and take the gap in the trees straight ahead of you. Then follow the vague path uphill and to the left to not only look at the manor, which isn’t normally open to the public1, but to also admire the view across the valley.
Having returned to the path follow it uphill, passing an entrance to Wingfield Manor, to a gate and a squeeze stile. Continue straight ahead to reach a second gate, which was missing at the time of writing. Continue straight ahead with the wall on your left to another gate (also missing), keep straight ahead, downhill with the wall now on your right.
At the bottom of the field take the gate on the right and continue straight ahead, downhill, to a further gate on the right by a building. The gate takes you onto a lane where you turn left and then, at the junction, right along Lynam Road.
Walk along Lynam Road, which is normally an extremely quiet lane, until, as the lane heads uphill, you see, on the left, a footpath sign for Buckland Hollow.
Take the footpath and follow it straight across the field to a gate and then veer left to find a stone stile onto a broad track. Turn right along the track and follow it uphill and through Lodge Hill Farm.
The track exits the farm via a gate and continues downhill to another gate to the left of a wooded area.
Having gone through this gate, leave the track as the footpath now veers off to the left heading towards the trees and the River Amber.
As the trees end bear left, with the river, to find, straight ahead of you, a bridge across the river onto the road, which can be busy. Turn right along the road and then take the footpath on the right, which is signed for Pentrich.
After going through the gate continue straight ahead, keeping the hedge on your right. When a large gap appears in the hedge veer left to a stile in the top right hand corner of the field.
Continue straight ahead, with the hedge on your right, across another stile, to eventually cross a third stile, in the right corner of the second field, into a third field on the right.
Continue straight ahead, with the hedge now on your left, to find a squeeze stile further along the hedge. Take the squeeze stile and now head diagonally left, towards the houses, following a vague path.
Take the stile into the next field, and then continue straight ahead, uphill, towards the church to a squeeze stile into the church grounds.
Bear left to a stone path, which you follow downhill to the road, where you can either turn right for a drink in the Dog Inn or left to return to your car.
1.Wingfield Manor is only open for pre-arranged visits on the 1st Saturday of the
month. To arrange a visit telephone English Heritage Customer Services on:
0870 333 1183.
We have taken reasonable steps to ensure that this walk is safe and achievable by walkers of a realistic level of fitness. The publisher accepts no responsibility for any injuries caused to readers whilst following the walk. Always wear appropriate clothing and footwear.
Saturday, 18 September 2010
Rhia Calvert interviews Dear Superstar's Micky Satiar and Chris Hodgson
Rhia Calvert (17) is a young lady from Holbrook with an extremely bright future ahead of her. She is about to go into her second year at Derby College, where she is studying Media. Rhia has a huge passion for music and spends a lot of her spare time at gigs. She loves photography and writing and hopes to become a professional photographer. Rhia contacted All Things Local as she wants to gain experience in the media and see some of her work in print. We are only too happy to oblige and we wish Rhia all the very best for the future.
Rhia will be interviewing bands and reporting back in forthcoming issues of All Things Local. If you’re a local band and would welcome some exposure within this magazine then email karyn@allthingslocal.co.uk
Five minutes with … Dear Superstar
They're loud, they're wild and they rock. Dear Superstar are ready to tear up the scene and cause a big rock 'n' roll riot. I caught up with front man Micky Satiar and bassist Chris Hodgson backstage at Nottingham's Rock City on the opening night of their UK headline tour.
Dear Superstar front man Micky Satiar
To anyone who hasn't heard Dear Superstar before, how would you describe your sound?
Micky: We just play music as loud as we can and make as much noise as we can; it's just rock 'n' roll. Simple as that really.
Who are your biggest musical influences?
Micky: Kiss, Motley Crue. Everything from the whole 80's sunset strip vibe through to modern bands such as Avenged Sevenfold and bands that we've toured with such as Papa Roach. To be honest anyone who's played rock 'n' roll has inspired us, obviously we listen to a lot of music and we always learn something from that - be it the worst or the greatest song in the world.
Chris: Any music with a bit of soul really.
How would you describe 2010 so far?
Micky: Wicked really, we've been spending a lot of time in the studio. We started off the year touring with Heaven's Basement which was amazing and it's getting to the point now where we released our second album two years ago so we need to get the third one written and recorded, so we've been drilling away at that; writing song after song, throwing it in the bin then re-writing it and just demo-ing as much as we can. And that's brought us up to now really where we're back on the road.
What was touring with Heaven's Basement like?
Micky: Amazing, we've toured together a lot like back with Buckcherry and we've done shows together previously so we've always had that friendship. We're like brothers really, it's got to the point now where you don't know where Dear Superstar starts and Heaven's Basement ends.
Chris: It's two bands that have completely integrated, by the end of the last tour with them it wasn't like two different bands.
Micky: It's so easy to go out on tour with bands that have egos or think they're above others but Heaven's Basement just aren't like that, we've got such similar personalities. Plus they like to drink, that's good for us because we need drinking partners!
Are you excited about this upcoming tour?
Micky: Yeah, massively. For us we haven't done a headline tour properly for two years, we've just supported bigger bands which is great and it's been an amazing ride, but it's something really endearing, exciting and worrying as well when you're going out on a headline tour especially playing venues like this which is so iconic, it's like - are people going to turn up? It's such a high expectation but zero knowledge about what's around the corner.
Chris: It's exciting really, when you play with a bigger band you know they're going to pull a big crowd, but when you're on your own tour it's exciting to see how many people turn up just to see you.
What are the best and worst parts of being on tour?
Micky: There is no worst part, we've worked so hard to get where we are and to then moan about being on the road just seems stupid to me.
Chris: I think once you get your head around the idea of touring it's just about freedom. I don't see any bad points to it at all, it maybe takes a while to get used to things like living out of a suitcase but it's freedom. You don't have to worry about anything.
Micky: On a completely random note, clean socks are the best thing about being on tour, there's just nothing like it.
Chris: So I guess the worst part would be having no clean socks.
What's been the best moment of being in Dear Superstar so far?
Micky: It's a hard one to answer because every time we achieve something great and think it's the best moment of our lives, something else even more epic happens. I guess playing at Download Festival, we'd always been going there to watch other bands and to be able to go there and grace the stage was just a massive personal achievement for all of us.
You've played a lot of festivals and toured with a lot of bands, have you ever felt totally star struck?
Micky: When we were at Download Festival we met Joe Elliot from Def Leppard and they were the band that first got me into rock 'n' roll, so when sharing a beer with them in the back of my head I was like 'oh my god this is the best thing in the world' but I was trying to act really cool. We've also partied with Tommy Lee from Motley Crue a couple of times and you kinda think 'no way, that's Tommy Lee!'
You've recorded two studio albums, would you say your second album 'Heartless' was more personal to you?
Micky: Yeah because to be honest we don't see our first album as an album really because Chris wasn't in the band and we just begged, stole and borrowed a thousand pounds to record an album, and a thousand pounds doesn't go far when you're recording. But with 'Heartless' we had time to go into a studio and write our songs and make it the best we could at that point in our lives. But we recorded 'Heartless' two years ago and in some ways we've grown out of it and we've experienced so much since so we're really eager to go and record our third album.
How would you describe the recording process?
Chris: Amazing!
Micky: Yeah, we partied every night but on the business side of things, I guess there was quite a bit of pressure on us. There were some lows points and it can be frustrating, I did over two hundred takes of vocals which was stressful, but overall it was an amazing experience for us.
Do you think recording brings you closer as a band?
Chris: For us it does, I think some bands maybe get annoyed when they're in each other's company but we all just have a good time together. If one of us has got any problems we all just pick each other up and everybody just looks after each other and that makes you closer.
Micky: Recording and touring really does separate the men from the boys. Since we started all those years ago we've seen so many bands come and go because they can't hack life on the road or being in the studio or being away from home. But we don't want to go home, this is what we genuinely live for. We're not rich and we drive around in a rubbish van but it's not about that, it’s about doing what your heart tells you.
What do you have lined up for the rest of the year?
Micky: We finish this UK tour then we go to Belgium, through to Switzerland to play Sonisphere Festival with Metallica. Then we've got European shows lined up and then we tour with Papa Roach to play military bases in Germany and Italy; playing to US troops who are serving out there so that will be an amazing experience. Then I guess in autumn we'll be recording the album and maybe we'll get time to tour again in between that.
Rhia
Rhia will be interviewing bands and reporting back in forthcoming issues of All Things Local. If you’re a local band and would welcome some exposure within this magazine then email karyn@allthingslocal.co.uk
Five minutes with … Dear Superstar
They're loud, they're wild and they rock. Dear Superstar are ready to tear up the scene and cause a big rock 'n' roll riot. I caught up with front man Micky Satiar and bassist Chris Hodgson backstage at Nottingham's Rock City on the opening night of their UK headline tour.
Dear Superstar front man Micky Satiar
To anyone who hasn't heard Dear Superstar before, how would you describe your sound?
Micky: We just play music as loud as we can and make as much noise as we can; it's just rock 'n' roll. Simple as that really.
Who are your biggest musical influences?
Micky: Kiss, Motley Crue. Everything from the whole 80's sunset strip vibe through to modern bands such as Avenged Sevenfold and bands that we've toured with such as Papa Roach. To be honest anyone who's played rock 'n' roll has inspired us, obviously we listen to a lot of music and we always learn something from that - be it the worst or the greatest song in the world.
Chris: Any music with a bit of soul really.
How would you describe 2010 so far?
Micky: Wicked really, we've been spending a lot of time in the studio. We started off the year touring with Heaven's Basement which was amazing and it's getting to the point now where we released our second album two years ago so we need to get the third one written and recorded, so we've been drilling away at that; writing song after song, throwing it in the bin then re-writing it and just demo-ing as much as we can. And that's brought us up to now really where we're back on the road.
What was touring with Heaven's Basement like?
Micky: Amazing, we've toured together a lot like back with Buckcherry and we've done shows together previously so we've always had that friendship. We're like brothers really, it's got to the point now where you don't know where Dear Superstar starts and Heaven's Basement ends.
Chris: It's two bands that have completely integrated, by the end of the last tour with them it wasn't like two different bands.
Micky: It's so easy to go out on tour with bands that have egos or think they're above others but Heaven's Basement just aren't like that, we've got such similar personalities. Plus they like to drink, that's good for us because we need drinking partners!
Are you excited about this upcoming tour?
Micky: Yeah, massively. For us we haven't done a headline tour properly for two years, we've just supported bigger bands which is great and it's been an amazing ride, but it's something really endearing, exciting and worrying as well when you're going out on a headline tour especially playing venues like this which is so iconic, it's like - are people going to turn up? It's such a high expectation but zero knowledge about what's around the corner.
Chris: It's exciting really, when you play with a bigger band you know they're going to pull a big crowd, but when you're on your own tour it's exciting to see how many people turn up just to see you.
What are the best and worst parts of being on tour?
Micky: There is no worst part, we've worked so hard to get where we are and to then moan about being on the road just seems stupid to me.
Chris: I think once you get your head around the idea of touring it's just about freedom. I don't see any bad points to it at all, it maybe takes a while to get used to things like living out of a suitcase but it's freedom. You don't have to worry about anything.
Micky: On a completely random note, clean socks are the best thing about being on tour, there's just nothing like it.
Chris: So I guess the worst part would be having no clean socks.
What's been the best moment of being in Dear Superstar so far?
Micky: It's a hard one to answer because every time we achieve something great and think it's the best moment of our lives, something else even more epic happens. I guess playing at Download Festival, we'd always been going there to watch other bands and to be able to go there and grace the stage was just a massive personal achievement for all of us.
You've played a lot of festivals and toured with a lot of bands, have you ever felt totally star struck?
Micky: When we were at Download Festival we met Joe Elliot from Def Leppard and they were the band that first got me into rock 'n' roll, so when sharing a beer with them in the back of my head I was like 'oh my god this is the best thing in the world' but I was trying to act really cool. We've also partied with Tommy Lee from Motley Crue a couple of times and you kinda think 'no way, that's Tommy Lee!'
You've recorded two studio albums, would you say your second album 'Heartless' was more personal to you?
Micky: Yeah because to be honest we don't see our first album as an album really because Chris wasn't in the band and we just begged, stole and borrowed a thousand pounds to record an album, and a thousand pounds doesn't go far when you're recording. But with 'Heartless' we had time to go into a studio and write our songs and make it the best we could at that point in our lives. But we recorded 'Heartless' two years ago and in some ways we've grown out of it and we've experienced so much since so we're really eager to go and record our third album.
How would you describe the recording process?
Chris: Amazing!
Micky: Yeah, we partied every night but on the business side of things, I guess there was quite a bit of pressure on us. There were some lows points and it can be frustrating, I did over two hundred takes of vocals which was stressful, but overall it was an amazing experience for us.
Do you think recording brings you closer as a band?
Chris: For us it does, I think some bands maybe get annoyed when they're in each other's company but we all just have a good time together. If one of us has got any problems we all just pick each other up and everybody just looks after each other and that makes you closer.
Micky: Recording and touring really does separate the men from the boys. Since we started all those years ago we've seen so many bands come and go because they can't hack life on the road or being in the studio or being away from home. But we don't want to go home, this is what we genuinely live for. We're not rich and we drive around in a rubbish van but it's not about that, it’s about doing what your heart tells you.
What do you have lined up for the rest of the year?
Micky: We finish this UK tour then we go to Belgium, through to Switzerland to play Sonisphere Festival with Metallica. Then we've got European shows lined up and then we tour with Papa Roach to play military bases in Germany and Italy; playing to US troops who are serving out there so that will be an amazing experience. Then I guess in autumn we'll be recording the album and maybe we'll get time to tour again in between that.
Rhia
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